颐和园2006
《颐和园2006》线上看,由娄烨导演,郝蕾 郭晓冬 胡伶 张献民 等演员领衔主演,影片主要讲述了1987年初，中朝边境图们。邮递员晓军去邮局拿信件，之后来到余虹父亲开的杂货铺。余虹打开信件，发现自己被北京的北清大学录取。余虹在一个篮球场与晓军见面，晓军与几个打篮球的人发生争执，被打得鼻青脸肿。晚上在草丛中，余虹与晓军发生了性行为。,颐和园2006"
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嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
黎娜需要爱
艾米利亚·舒勒,雅尼克·许曼,Kyra Sophia Kahre黎娜（艾米丽亚·舒勒 Emilia Schüle 饰）的故事非常悲伤和充满挫折。她从小生活在单亲家庭中，母亲只顾着自己的情感生活，忽视了对黎娜的关爱和支持。因此，她在学校里无法与同学们建立良好的关系，被视为怪异的存在，感到孤立和无助。然而，黎娜有一个隐藏的天赋：视觉艺术。她通过社交网络平台结识了同班同学提姆（雅尼克·许曼 Jannik Schümann 饰），两人因为对艺术的共同热爱逐渐互相了解和倾诉心声。他们的心灵相通，找到了互相支持和理解的温暖。 然而，黎娜的唯一好友背叛了她，陷害她成为卖提姆毒品的告密者。从那一刻起，她遭受了持续的诬陷和误会，被社会孤立和排斥。无论她多么努力地解释自己的清白，都无法挽回已经造成的后果。
十一罗汉1960
弗兰克·辛纳特拉,雪莉·麦克雷恩,安吉·迪金森,迪恩·马丁,小萨米·戴维斯,安吉·迪金森赌城拉斯维加斯，除夕夜。轮盘赌盘在疯狂地旋转，纸牌的劈啪声愈发刺耳。老虎机鸣响，香槟酒气熏天。突然间，灯火骤熄，一片黑暗。这是一个多么完美的时刻，无论你是去偷吻香艳的女郎还是顺手牵羊地私密几张钞票。当然，对于丹尼·奥逊（弗兰克·辛纳特拉 Frank Sinatra饰）和他的十一个犯罪团伙来说，这更是一个偷天换日的绝佳盗窃机会。以丹尼为首的十一罗汉，均是二战退伍后最优秀的空降部队成员，个个身怀绝技。丹尼伙同山姆·哈蒙（迪恩·马丁 Dean Martin饰）、约什·霍华（小萨米·戴维斯 Sammy Davis Jr.饰）、吉米·福斯特（彼特·劳福德 Peter Lawford饰）和康纳斯（乔伊·毕晓普 Joey Bishop饰）等人，开始了一场有史以来最大的赌场抢劫案。然而这场看似天衣无缝的“完美”盗窃案，却纰漏百出、波澜起伏。 由好莱坞著名导演刘易斯·迈尔斯通执导的1960版犯罪喜剧影片《十一罗汉》，荣获1961年美国制片人金桂冠奖提名及1961年美国编剧协会荧幕编剧奖提名。
火遮眼2025
谢苗,林科灯,杨恩又,黎唯,岩永丞威,萨哈贾克·波斯安吉特,玛娜莎楠·潘叻翁固,郭峻卿,威奈·旺扬功,雅彦·鲁伊安,杰佳·亚宁东南亚某处，失语维修工王伟（谢苗 饰）因女儿雨晴（杨恩又 饰）失踪觉醒猎杀本能。他联手寻妻记者纳文（林科灯 饰）组成生死同盟，在连番血战中死斗黑暗组织打手大块头（黎唯 饰）与嗜血杀手阿德（雅彦·鲁伊安 饰）一众人等。怒火遮眼，鲜血开路，从血肉翻飞的街头混战，到拳拳断骨的室内死斗，一场又一场血腥残暴的生死拼杀连番上演，与此同时雨晴也在魔窟中用父亲教的功夫自救。随着二人深入敌营，真相直指背后更庞大的黑恶势力。
顶级阴谋
Anders W. Berthelsen,Maria Bonnevie,Ghita Nørby,Henning Jensen,Lars Mikkelsen托马斯的妹妹在一次事故中神秘死去，而妹妹的死亡很可能与他们过世父亲参加的一项秘密军事研究有关。托马斯随即展开了调查，不料却让自己和家人都陷入了极大的危险之中。一伙不明身份的人开始对他们展开了天罗地网式的监察。
弗兰得狂欢节
弗朗索瓦丝·罗赛,安德烈·阿莱尔姆,让·缪拉,路易·茹韦,Lyne Clevers,米舍利娜·谢雷尔,Maryse Wendling,Ginette Gaubert,玛格丽特·迪库雷,贝尔纳·朗克雷,阿尔弗雷德·亚当,Pierre Labry,阿蒂尔·德韦尔,Marcel Carpentier,亚历山大·达西,Claude Sainval,Delphin,保罗·哈特曼,Francine Bessy,Will Dohm,恩里科·格洛里,罗歇·勒格里,Matt Mattox,Rolla Norman,GeorReleased in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other towns, and decide to deflect the vanquishers by playing dead. This isn't terribly effective (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Bernard Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis.