性感的岳母

杀出香港

狄威,刘嘉玲,柯俊雄,楚原,陈欣健,沈威,卢惠光

　　骆汉参加旅行（团）来港寻找妹妹，结识导游莹莹，莹乃老差骨麦之侄女，骆因寻妹而与匪帮汽车追逐，令麦增添不少麻烦。而匪帮头子胡龙恐被骆发现，决乘夜逃亡。而骆之妹被监视，Anne欲通知骆却被发现，引致葬身火海，麦拖延上司，着骆带妹逃走，惜却给邓世杰逃脱，且全部人等被麦之上司制服。而由于细查之下，骆原被警方列危险人物，故必须将骆押送离港，最后，终能与妹玲重聚，且玲成为警方之重要证人，指证胡龙等，故胡遂着邓向玲下毒手，结果……

琼森帮归来

罗伯特·古斯塔夫森,乔纳斯·卡尔森,Anders Jansson

　　After years on the run, Sickan reunites with Vanheden, Harry and Doris for another mission. The plan, timed to the smallest detail, is to steal a complete T-Rex skeleton from the Natural History Museum and sell it to the unscrupulous businessman Wall Enberg for 320 million SEK. However, they have not counted on Rigmor Gren, an aged police detective, obsessed with the idea of bringing Jönsson to justice before she herself retires.

关你茶室

Yuriko Heng,K-Lao,赖宇涵,李国煌,Morn Liew,Joshua Se,Songbill,邓金煌,Mayjune,黄楚琳,王竣

阿彪继承了母亲的Kopitiam咖啡馆，并与妻子百合子共同经营。这家店曾经生意兴隆，但阿彪的管理方式和非传统的营销策略却引发了意外危机，使Kopitiam陷入前所未有的困境。在与一位知名网红发生冲突后，Kopitiam卷入了媒体风波，导致生意急剧下滑。就在阿彪和百合子拼命努力扭转局势时，他们又面临着被收回店铺的威胁。他们能否成功度过这场危机，保护自己的家族企业？在逆境中，他们的婚姻和Kopitiam咖啡馆又将何去何从？

黄河女儿

李树建

位于黄河岸边的古城村历史悠久，文化底蕴深厚。乡村振兴战略正在启幕，本片以张爱峡、韩拾红、高艳艳等为代表的黄河女儿给出了正确的答案，讴歌了新时代黄河儿女不怕困难、勇于挑战的崭新风貌，诠释了“幸福都是奋斗出来的”深刻内涵。

毒魔复仇

彼特·丁拉基,雅各布·特伦布莱,伊利亚·伍德,凯文·贝肯,简·利维,梅肯·布莱尔,朱莉娅·戴维斯,萨拉·奈尔斯,泰勒·佩姬,斯宾塞·怀尔丁,朱利安·科斯托夫,约翰尼·科瓦内,李·埃迪,阿塔纳斯·斯雷布雷夫,大卫·佑,Rebecca O'Mara,克里斯·夏普,Byron Brown,欧文·戴维斯,内森·库珀

　　讲述一个苦苦挣扎的普通人被推进有毒的废物桶后，变成了一个变异的怪物，他必须从被排斥者变成不受欢迎的英雄，进而从腐败和贪婪的力量中拯救他的儿子、朋友和团体。

极地重生

迈克尔·门德尔

　　二战末期，德国军人科利基文斯（米高·文度 Michael Mendl）在战争中沦为战俘，被处以25年的刑期，而此时他怀孕的妻子和女儿则完全没有他的消息，只能求神保佑他还能活着回来。经过漫长的跋涉，一行战俘被送到了一个劳改场，那里没有围墙也没有栅栏，然而极度的严寒和千里冰原则成了难以逾越的屏障。这里位于西伯利亚东部，初到之时，由于天气和疾病，很多人都不幸死去，然而非人的矿工生活，才是真正的炼狱。科利基文斯从来没有忘记远方的亲人，一次失败的逃亡让他饱受看守的虐待，然而这却更加坚定了他要逃出这里的决心。后来在年迈的医生的帮助下，科利基文斯才得以逃离劳改场，从此获得回家的希望。可是在他面前的，将是长达14000公里的“死亡之地”，在被积雪覆盖的千里冰原，科利孤身一开始了漫长的回家之路……　　本片曾获多项国际大奖，其情节源自一个真实的逃亡故事。

嗨，妈妈！

罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment